Tuesday, June 28, 2011

Making Video Production Look Original

By exploiting the malleability of digital film, such as the easy manipulation of colour you can create an individual look for each of your productions. This process is known as digital grading, the post production technique of manipulating an image. There are many post production plug ins and software that will allow you to change the look of your image, however, as they are now very commonplace they have become, in a way, formulaic. However, by combining these with other post production software and applied correctly and with skill, can totally transform the captured video image, and replicate the look of big budget celluloid film.

Green screen shooting is another way to create very impressive big budget looking shots. If you aren't proficient in using 3d modelling programmes you are able to purchase some very realistic and impressive 3d backgrounds that can be scaled and used within your composition. This becomes more effective when combined with digital grading so that the lighting and colour of the shots both match.

If you are looking to film with a green screen there are certain areas that need to be addressed to assure that the quality is their. Firstly, you need a good green screen and, most importantly you need good lighting; one very noticeable low end video quality is when you see an outline around the characters, caused by a reflection from the light and bad keying software.

Many video production companies offer all of these services, and by utilising them it allows companies to offer film standard productions at a fraction of the cost.

It is also worth mentioning that it is very important to look at the best camera to use for your production. There are many new cameras available and whether you need High Definition or standard definition you can always improve the image in post.

Dynomite productions are a video and animation production company, creating work for public sector, private sector and broadcast clients.

to see examples of our work please visit: http://www.dynomiteproductions.co.uk/


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Live Your Dreams and Shine on the Spotlight, Enroll in a Filmmaking School Now!

Are you dreaming on pursuing a profession in the filmmaking industry? The filmmaking industry is one of the most competitive fields in the industry today and is one of those options you don't want to ignore.

You should be very cautious in choosing the right filmmaking school to enroll in since there are so many schools out there that offers filmmaking courses. Before you select a film school it is very important that you must learn some few things. First, you must learn that film making is a very entrepreneurial business. No one will be handing over you a job, and you have to create opportunities for yourself. You own talents can be honed and worked on but still at the end of the day your social skills are still as important as the quality of your filmmaking.

That being said, it always makes sense that the filmmaking school that affords the opportunities of networking their students to professionals in the industry has the most success rate of having their students acquire work. One important thing as well is that you must keep in mind the location of the filmmaking school you want to enroll in since this will have a big impact on the development of your filmmaking career. For example, Los Angeles and New York both have different film cultures.

Going out and producing a film is really hard unless you have that perfect knowledge about filmmaking and that is why it is better for one to enroll in a filmmaking school to learn the necessary knowledge and skills that is related to film productions. Hence, it is better for you to join in an institution that can shoot you as a director. There are so many benefits when you join a filmmaking school and some of them are as follows.

The best Filmmaking School will teach you the excellent utilization of high end filmmaking software and instruments that you have dreamt of touching before, you will also learn computer techniques for you to be able to work efficiently in your film projects, learn in-depth about things that took place in the film industry and how they relate with each other, and lastly your film works will be evaluated by film professors and you will get a variety of comments for you to improve your work.

So in this digital age where film production has definitely shines in the limelight, And if are really passionate about film making then the best way to start that career is to enroll yourself in one of the best filmmaking school today. Live your dreams and shine in the spotlight!

You should be very cautious in choosing the right filmmaking school to enroll in since there are so many schools out there that offers filmmaking courses.


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How a Zoom Lens on a Professional Camera Works

The lenses that are used on most professional video camcorders are zoom lenses. This means that the focal length can be altered while filming. The requirements for professional camcorder are very high to make sure that the picture is never deformed on all focal lengths. The lens design is very complex and sophisticated. It's characteristics are the most important influence on the impact of an image.

Zoom range
A lens is usually defined in the following way: zoom range X minimal focal length. The minimal focal length tells us if a lens is a telelens or a wide angle lens, usually the separation is at about 7.5 mm. Click here to learn more about focal lengths. Some studio lenses can go both very wide and still have a large zoom range. These lenses can be used for a almost all situations.

A zoom lens allows faster working methods than using prime lenses. Sometimes it is easy to forget which focal length you are using while filming.

Back-focus
The flange focal-length adjustment ring controls the back-focus lens, which makes sure that your subject stays focused while zooming. This setting is known as the back-focus setting, and it should be correctly set up when preparing your camera, or when changing lenses.

A good lens is designed to keep your subject focused throughout the whole of its zoom range. However, to make sure this is the case, the back focus has to be correctly adjusted. If you zoom in on your subject, focus, then zoom out and you discover that the picture looses sharpness, your back focus has not been properly set up or has been changed during production.

Macrolens
In the lens is also a macrolens that can be used to create shots very close to your subject, closer than the Minimum Object Distance (MOD). To use this part of the lens, pull the safety knob on the macrolens ring, and then you can turn it. The safety knob is used to make sure you don't accidentally turn the macrolens ring while filming, as this will make your regular shots very out of focus.

The focusing ring
The focusing ring is used to make sure your subject is in sharp focus. You can choose to control the ring yourself (Manual), or by a servo motor (Servo) by setting the zoom selector. The sharpest focus can be checked before shooting by rocking the focus point behind and in front of your subject.

The zoom ring
The zoom ring allows you to change the focal length to adjust the image size without moving the camera position. It also can be controlled manually or by a servo motor. The zoom ring is generally used in three ways, to compose a shot, to readjust the composition of a shot and to change the shot size while shooting.

The aperture ring
The aperture is referred to the lens diaphragm opening inside the lens. The size of the diaphragm opening in a camera lens regulates the amount of light that passes through onto the camera sensor. The aperture ring is the prime method of controlling exposure. This can be done manually or automatically (using auto-exposure, or remotely).

Extender
Some lenses are fitted with an extender, which alters the range of focal lengths. An extender optically enlarges the image coming through a lens. Most of the times using an extender affects the picture quality in a bad way.

For more information on how to work with professional video camcorders, and how to improve your shots go to http://www.askthecameraman.net

Joseph de Meij is a professional ENG Cameraman. He gives free lessons and tips about digital video productions. For more information on how to work with professional video camcorders, and how to improve your shots go to http://www.askthecameraman.net/


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How to Organize a Stellar Film Festival

The Campus MovieFest is the largest student film festival in the world. More than 30 colleges and universities play host to this event and the participants are provided with free equipment for a week to create a five-minute short film. The equipment includes an Apple computer, Final Cut Pro software and a video camera. However, every student film festival is not established for the same purpose.

Organizing a Student Film Festival: The Good News

If you are organizing a student film festival, the good news is that its success is judged according to the extent to which it fulfills its goals. Thus, the planning of the event starts with you and your idea. You need a concrete plan for engaging guest speakers, building public relations, researching, programming and preparing films.

Organizing a Student Film Festival: Vital Tips

Here are some tips that can help you in the process of organizing your film festival.

1. Secure the venue at least six months in advance. This is because the PR work that would be conducted and invitations that would go out should specify the venue for your film fest to be deemed credible.

2. Focus on the idea behind your event when planning. Depending upon the genre or the film maker or the issue that you want to pursue in your event, various parameters will change radically.

3. Budgeting is one of the most important factors that govern the working of your festival. Make specific monetary allocations for the various elements that you plan to spend your funds on. While soliciting sponsors it is helpful to keep in mind that some of the essentials, such as food, stationary, poster printing and beverages, can be arranged as gifts from a corporate.

4. Arrange for at least one extra copy of the films to be screened, should there be any physical damage to the prints.

5. Keep a tab on the timing of your event and ensure that it does not clash with other events that could impact the attendance of the audience you are expecting.

6. Make proper arrangements for receiving the VIPs you invite. Showcase the involvement of the people to attract the right kind of audience as well as sponsorship.

7. Build a reliable team of volunteers and organize them in a way that your group leads can communicate and keep in touch throughout the event.

One of the most beautifully organized and conducted events for those interested in law and governance and its impact on society is the Forum Film Festival. It is an exciting event that is organized by the Fordham Law School. Every year six films are screened on the above mentioned topic and the screenings are followed by intense and enlightening discussions. For more information on this film festival, visit http://www.forumonlawcultureandsociety.org/.

The forum Film Festival illuminates the legal system with all of its triumphs, failures, moral dilemmas, and dramatic moments. Visit the website online! and view past film festival and the highlights.


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Film Scene Cost Savings - Using Natural Disaster Footage

Everyone knows it costs a lot to shoot a movie, and just paying for mockups and models can run a movie budget over the edge. It is difficult shooting movie scenes, and it's not cheap to make props. The other day, I was discussing this with a movie editor at our local Starbucks here. He works in around Hollywood with several service companies that are vendors for the large studios there. Often the studios will need a bridge, building, or something destroyed as part of the movie.

He explained to me that some of this could be done with special effects, Photoshop, a few mockups, and borrowing old footage from previous movies; docudramas, science fiction flicks, and what have you. Since everything is now digitized it makes it quite a bit easier to do. As we got to talking I asked him about science fiction genres and apocalyptic type films. He said; "oh, you mean like those 'end the world' Armageddon movies?" Yes, that's exactly what I meant.

Indeed I asked; why can't the movie studios merely use the Disaster Footage from CNN or other news reports. For instance we had major floods in Pakistan, and Columbia in the last couple of years. We've had just horrific tornadoes in Alabama, and Joplin Missouri this year. We've had floods in Tennessee, Louisiana, and Mississippi, and they have been labeled major disaster areas. Then there were major earthquakes in Chile and another one in Haiti - not to mention the biggie in Japan with a tsunami wall of water to go along with it.

Isn't there enough footage to work from that? He indicated that all of that stuff is now digitized and available, and many of the news companies and studios in Hollywood are in some way either connected, or willing to distribute those images, photos, and movie clips. He told me that now it's even better with all of the social networking handmade videos, because they tend to show the complete chaos and disarray at a very personal level.

He explained to me it was much better using home movie clips of disasters, which were taken firsthand, and that they didn't cost Hollywood much of anything. He also told me you can bet anytime you see a natural disaster movie or something in that science fiction genre of "the end of the world" that you can bet that much of what was used in the various scenes and sequences was previously generated and not necessarily for that particular movie before it was reedited. Indeed I hope you will please consider all this and think on it.

Lance Winslow is a retired Founder of a Nationwide Franchise Chain, and now runs the Online Think Tank. Lance Winslow believes writing 23,323 articles by May 26, 2011 is difficult because all the letters on his keyboard are now worn off..


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Is Online Film School Worth the Trouble?

Most of the time, the biggest question is whether or not an online film school will be able to replace a traditional in-class method. The truth is; the industry is changing at a rapid pace, so most people are looking for new ways to learn how they can become a filmmaker.

What Resources Are Available For Learning?

Writer William Goldman (Butch Cassidy and the Sundance Kid) wanted to write his first screenplay years ago, but didn't have any resources to get started.

You couldn't find books on how to write a screenplay in those days. Plus there weren't any classes and the Internet was far from existence. However, in today's world we have new avenues to become a filmmaker.

Even if you want to learn how to make films by reading first; tons of inexpensive books are at your disposal. Eventually you will want to mold your skills, so an online film school would be the next step.

Online classes are available at elementary or college levels these days. Even your local community college probably offers some great options. This might include a low tuition or inexpensive equipment to use. The point is; it's not necessary to spend tens of thousands of dollars on a big-name university just to make movies.

The Wealth of information from Online Film Schools

Since books are becoming more and more obsolete, it's easy to see how an online film school would have excellent information handy. You can find everything online to assist any student. Whether they're just starting out or polishing their skills; everyone can reach their goals. So is the information available going to be the key to learning what is needed to get started?

Well, the hands-on approach is always best. The only way to get started is by making films. You can utilize the basic information and techniques just to get a feel for what is involved in filmmaking. It's actually a lot easier than most people starting out think.

This is where an online film school or other related sites will come into play. They offer so much information and you shouldn't have to pay much or even anything for it. The only time there would be an exception is if you need personal attention from a teacher. Oh, and don't join a site that charges a small fee to access their content.

The free sites will provide all the basics. If you want to purchase books then get ones that have been well-reviewed. Once you're finished it's time to start making movies. All the other areas can be focused on one by one like; story ideas, advertising, or networking, etc. There will also be a lot of beginning actors who want to practice their trade. You should also be able to find equipment to use as well.

What it comes down to is filmmakers are not doctors. People don't care if you're fully trained, licensed, or have a degree to make a film. All they want is entertainment. The only thing you have to do is take action and start learning about filmmaking. The sooner you get started searching for an online film school, the faster your first film will be finished.

Excellent information to help you learn filmmaking is available at no cost on many web sites. Visit the best online film school at 4Filmmaking.com.


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Hollywood Behind the Scenes

Last night we attended the Taurus World Stunt Awards at Paramount Studios in Hollywood. A huge gala filled with celebrities, beautiful people and some tough old hands. Many of the women were dressed in evening gowns, somewhat incongruous with their muscular cut bodies, broken boxer faces and enough tattoos to cover the Sistine Chapel. These were of course the stunt women, redefining femininity.

The reason we were there is that my stepfather, Loren Janes, was receiving their Lifetime Achievement award. For those of you who don't know, Loren worked as a stuntman, stunt-co-coordinator and 2nd unit director for many years. He's appeared in over 500 movies and over 2200 television shows. He's doubled the biggest names of the era including Steve McQueen (his good friend for 23 years), Paul Newman, Jack Nicholson, Dustin Hoffman, Kirk and Michael Douglas, Yul Brenner, Elvis Presley and in one very famous incident, Marilyn Monroe. He's worked with the biggest directors in Hollywood, including Stephen Spielberg, James Cameron, Sam Raimi, John Ford, John Huston, Stanley Kubrick, Henry Hathaway, Billy Wilder, William Wyler and Cecil B. DeMille. His body of work is unmatched in his industry. Today in the era of specialization there are stunt people who only do stunts with vehicles, high falls, fire or water stunts. Loren did it all. If you've watched virtually any television or seen any movies over the past 50 years, you've seen Loren.

The standing ovation he received was one of the most heartfelt and emotional I'd ever encountered. Many were moved to tears. I'd never been prouder of him, as he walked to the stage honored by his peers for his work while the bravest and toughest in the business stood in awe.

And outside of that theater few know his name. He walks down the street and no one recognizes him, no one asks for his autograph and no one clamors to have their picture taken with him.

That's showbiz. It happens in music too. Many of the songs and albums you listen to were not the work of just one artist or group. They had backing musicians who made the sound happen though with little acclaim and in most cases even less money.

The most famous of the non-famous musicians were probably Booker T. and the MG's. They were the house band at Stax Records playing behind such artists as Wilson Pickett, Sam and Dave, Otis Redding and Bill Withers. They were solid enough to release their own singles, the first in 1962, "Green Onions" and by the mid-60's everyone wanted to sound like them.

At Motown, it was the Funk Brothers, 13 of the most solid musicians on the planet. They played on virtually every hit that Motown put out. Smokey Robinson, The Supremes, The Temptations, Martha and the Vandellas, Marvin Gaye, The Spinners, The Four Tops and The Jackson Five all owed their power and sound to the Funk Brothers. They labored primarily in obscurity till the 2002 documentary "Standing in the Shadow of Motown" came out.

Other musicians started out behind the scenes and it proved to be a fertile training ground for them. At Chess Records in Chicago, Louis Satterfield and Maurice White pounded out the hits for years until they formed Earth, Wind and Fire, going on to redefine soul, R&B and funk music.

The point here is that no one is an island. There are hundreds of brilliant artists working behind the scenes in all genres. Sometimes derisively referred to as the "little people", they are anything but. The next time you hear a song you like, take some time to find out who (these days, if any) the real musicians are playing behind the front man. Then give 'em a round of applause.

Bruce Sanborn is a top-flight songwriter, guitarist and the lead singer of The Bruce Sanborn Band. He is both an artist and a craftsman. "Sometimes you're writing about higher concepts, the emotional, the spiritual and other times you're just trying to find what rhymes best with 'blue'". The characters in his songs inhabit a gritty netherworld of loss and redemption, often beaten down by life but never defeated. His vocals tear into the heart of the melody, at times raspy and coarse, other times tender and forlorn, but always unforgettable. When Bruce is not writing music he's either performing or blogging! You can read get a taste of his music and blogs at http://www.thebrucesanbornband.com/


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